Archive for the ‘Broken’ Category
I am beyond thrilled to show you this fantastic new cover for the re-release of BROKEN (Extrahuman Union #1) which was created by artist Kirbi Fagan. I love it so much, it captures the essence of the book and the characters so well. Here it is:
You can preorder it now! The new edition is mildly updated and has cool interior art! The ebook edition also has a new short story in it!
Add the book on Goodreads
Here’s my schedule for Boskone this weekend!
Loose Ends and Contradictions in Doctor Who – Friday 18:00 – 18:50, Marina 4 (Westin)
*Spoilers, sweetie!* Doctor Who has become infamous for its loose ends and contradictions — most of which get explained away with a little timey-wimey flash and sparkle. Yet, we still love The Doctor. In fact, many of those seeming problems tend to open future storylines and plot points. Which do we most want to see resolved? Which seem too far gone to pull back? And will we see River again … or has that loose end been tied?
Welcome to the Dark Side! – Friday 21:00 – 21:50, Marina 3 (Westin)
Where there are heros, there be villains. And Star Wars is packed with wonderfully wretched scum (versus lovable rogues who prefer to go solo). It’s so good to be bad in that far-, far-away galaxy. From palpably evil Emperor Palpatine to emo king Kylo Ren, jellybellied Jabba the Hut to big bad Lord Vader, aren’t the villains the ones who make Star Wars sing? Why do these wicked characters work? Why do we love them, or love to hate them? And are they all really the bad guys they seem to be?
Reading: Susan Jane Bigelow – Saturday 10:00 – 10:25, Independence (Westin)
The J.J. Abrams Effect – Saturday 12:00 – 12:50, Marina 2 (Westin)
J.J. Abrams is taking the Hollywood box office by storm with his innovative new films, television series, and reboots. From Lost to Star Trek to Star Wars and beyond, Abrams-developed projects delight in redefining visual storytelling, but is there a point where his creative “genius” goes too far or not far enough? What makes his work feel so innovative despite his tendency to reboot without reinvention?
The Sandman Legacy – Saturday 15:00 – 15:50, Burroughs (Westin)
At a time when the comics industry was trying to survive, Neil Gaiman’s The Sandman was published. Back then, many thought comics were dying. The Sandman opened their eyes. A gateway comic series for new readers, including women, how has its reputation fared in succeeding years? Looking back at its success, what impact has it had on comics? Could you describe the series’ influence on today’s comics, fiction, and film as, well, Endless?
Steven Universe and the Cartoon Renaissance – Saturday 20:00 – 20:50, Marina 4 (Westin)
“Believe in Steven!” Cartoons are back with a bang, and the incredible Steven (a half-human, half-Gem hero) is helping save the world. Steven Universe is just one of several adult speculative cartoons that have been praised for their complex characters and rich worldbuilding. From Space Ghost to Futurama to Robot Chicken, these shows have captured our imaginations. Why do we love them so much, and what else should we be watching?
Come check it out! I have goodies to give away and more!
Lots has happened in the last, uh, year. I’m bad at blogging. I never used to be, there was a time when I would blog every day about this or that.
So, let’s sum up the things:
2. Book news! The forthcoming final book in the Extrahuman Union series is now titled EXTRAHUMANS, and is scheduled for release late this year. The first three books, now titled BROKEN, SKY RANGER, and THE SPARK, will be coming out as re-releases before then. BROKEN is due out on March 22! We have a cool new cover and all kinds of great stuff planned.
3. Secrets! I can’t tell you what they are but they’re cool.
I am going to conventions, naturally, and I’ll post my schedule as those come up.
Recently I wrote about finishing the first draft of the final book of the Grayline Sisters trilogy, and how that felt. I had no idea I’d be making another post like it so soon after.
I finished the second draft of WAKING GIFTS (Extrahumans #4) last week. It was an excruciating effort–I basically rebuilt the story from the ground up because what I’d originally put down simply wasn’t working. I changed just about everything about the book, including the title (it was originally THE GIFT OF GREAT YIA, then THE BELLS OF VALEN, and now WAKING GIFTS). I think it’s pretty decent. I know I can turn it into something good. So at some point, this book will exist, and you’ll get to read all about what happens when Jill gets everything she thinks she wants (hint: nothing good).
And then that will be the end of the Extrahumans series.
There are several reasons for this, some about business, some personal. Mainly, though, this is a decision that grew out of the story.
I’d originally planned on five books, but at some point I realized that the plans I’d had for the fifth book were not particularly workable, and not actually about the characters we’ve been following.
Worse, it had nothing to do with Penny. Basically, even though she is the main character in only one of the books, Extrahumans is at it’s very heart the story of Penny Silverwing, her friends, her family, her lovers, and her transformation from who she is at the beginning of BROKEN to who she becomes by the end of WAKING GIFTS. Penny drives the stories and ties them all together, and she’s at the center of the extended “family” of characters. Her arc, after this story, is done.
This story also completes the arcs of many of the other characters, such as Jill (obviously), Emily, Sky Ranger, and Felipe. It also does provide some answers to some of the big questions that the series has been asking, and wraps up some of the larger, overarching storylines.
So this is a good place to end it. I thought about ending it with THE SPARK, but there were simply too many unanswered questions. I don’t feel that way about this book. This is a good end point.
Now, that doesn’t mean that this will be the last story in this universe, and that this is the last we’ll ever hear of these particular characters. There is so much left to tell! But this particular series will end with book 4, and I’m happy with that.
I am so grateful to all of you who’ve been sticking with this series. I know WAKING GIFTS has been a long time in coming compared to the first three. I hope I can make it worth your while!
So, on to the updates!
THE SEEKER STAR (Grayline Sisters #2) – Hoping to have a cover reveal for you real soon. Plans are that it’ll be out late this year, but I don’t have a date yet.
WAKING GIFTS (Extrahumans #4) – Second draft finished. I’d like to send this to the publisher by the end of the year.
THE FALLEN STAR (Grayline Sisters #3) – First draft done, doing a few edits here and there.
Short stories: WAR STORIES has been sent out to Kickstarter backers! My story “The Radio” is in the first section. It is a very, very cool anthology from Apex which you should check out when it goes on general sale in the fall. I should also have another short story out either late this year or early next year, we’ll see.
Lastly, I’m going to be at Readercon this Friday–if you’re there, say hi!
That’s all for now!
As I was writing up a new epilogue for a book I’m working on, I was reminded of some of the criticism I’ve seen directed towards epilogues and prologues lately. Apparently they’ve become A Bad Thing, though I don’t know when this happened. I’ve seen a few agents, editors and other publishing types bemoaning manuscripts sent to them with a prologue; one suggested she trashed any book that happened to have one.
This seems like an overreaction to me. True, prologues and epilogues, which are little scenes set outside the main story that serve to get the book started and bring it to a close, can be either ghastly, dull or both. But done right, they can serve an important purpose. Personally, I love them. I use them for all kinds of things, and they play lots of different roles in the stories I write.
Setting the stage
A good prologue has a lot of purposes. One of them could be to set up potential conflicts, give a (reasonable) amount of background or establish a setting. The prologue in Romeo and Juliet does all of those things. In a very short space, the audience now knows what the setting and major conflict are. This prologue also basically tells the audience exactly what will happen: they know they’re watching a tragedy from the outset. This changes how people experience the play, though it doesn’t stop them from wishing it could all come out differently this time. The entire mood of the play would be vastly different without the prologue.
This is part of what the prologue in THE SPARK does. One of the characters commits a terrible act of betrayal, and the prologue sets this up. When we see this character later on, it’s with the knowledge that she’s about to betray her friends. We also have some context; her betrayal, when it comes, doesn’t happen in a vacuum. We know why she does what she does.
The prologue in FLY INTO FIRE vividly describes the destruction of Union Tower, which creates a somber, tense mood that bleeds into subsequent chapters. It also affects our view of Sky Ranger, since this event is something he’s trying to find some way to either outrun or accept for the entire book (and, really, for the rest of his life).
Lastly, prologues can be used to set mood. I’m experimenting with adding a dreamy, rather abstract prologue to something I’m working on now, which contrasts with the initial feel of the first part of the book. But it does set up some of the more dreamlike and fantastic events that happen later on, which I like.
Epilogues, on the other hand, are all about putting a cap on what’s just been read. The epilogue at the very end of Harry Potter’s seven book epic is a nice example (I’ll let you look it up. Don’t pretend you don’t have the book lying around somewhere). The epilogue here does a couple of things to put a period at the end of the series’ sentence. First, it establishes a return to normality and the continuation of the very things the heroes fought for. The scene is set at the train station, waiting for the train to Hogwarts, which both reinforces that normality while passing the torch to a new generation. It also extends the arc of the major characters, leaving them paired up and with a gaggle of children to put on the train. The final words of the book and the series establish that Voldemort has not returned, and so all will be well. The epilogue caused a lot of controversy among some fans, but it does what it sets out to do by wrapping up what needs wrapping up. The book and the series wouldn’t feel as complete without it.
The terse epilogues in Dragnet are another great example of wrapping up a story. Each episode concludes with a few lines about what happened to the criminal, leaving the audience feeling satisfied.
I like using epilogues to wrap things up, and also to give some context to what’s been read. The epilogue in BROKEN is St. Val’s letter, which explains a few things and also in essence grants Penny her heart’s desire. The epilogue in FLY INTO FIRE has the characters gathering a year after the events of the main story, which draws a line under those events. There’s also a bit of symmetry there, one of the first scenes in the book takes place in the same location as the epilogue, and the coming together of the epilogue balances the destruction of the tower in the prologue. The epilogue of THE SPARK is all about glimpsing both the future and the past, and could also work as an endpoint for all three books. All of these epilogues, which are set outside the story, wrap up character storylines and establish that the world and the characters have moved on, though perhaps not unscathed.
I can understand why folks might not be fans of prologues and epilogues. They can feel trite and unnecessary, especially if they’re long and drawn out. I think the best prologues and epilogues are short snippets. If they’re chapter-length, then I start to wonder why they aren’t just chapters! I do feel, though, that when they’re done right, prologues and epilogues add immeasurable value to a story.
What do you think? For them? Against? Any favorite examples, either good or bad?
Go ahead and grab it:
Please do add the book on Goodreads if you’re there! And if you feel like leaving reviews or ratings, positive or negative or somewhere in between, how awesome are you?
I kind of can’t believe it. This book didn’t have nearly the gestation period that BROKEN did, it only took about three and a half years from start to finish compared to BROKEN’s six. Still, that’s some serious time that this book has been sitting around not being published, and here it is at last. I hope you all enjoy it!
Thank you all for reading! And thank you for all your wonderful support this past year. I still can’t quite wrap my mind around the fact that yes, I write books and people read them. It’s what I’ve always wanted to do, and it’s just as amazing as I ever thought it would be.
Stay tuned, there will be lots more from me this year and in the future!
Some people, when they post to their dormant-ish blog after a lengthy time of not posting, get apologetic and make all kinds of excuses. Not here. I’m just going to pretend it never happened and continue on as normal!
What’s been happening? Well, next week (Nov. 22) BROKEN officially launches in print. Ha ha, I know! You bought your copy from Amazon like six weeks ago! This hasn’t been a release date that’s been paid a lot of heed. Oh well. Anyway, we had a launch party for the book at Modern Myths in Northampton on November 5th, and it was a blast! Candlemark & Gleam have the roundup, which includes a few pics. I did a reading from the book, which was amazing. I’ve never done anything quite like this before.
Lucky for me, in about two months we get to do it all again. 2011 has been the Year of Constantly Rolling Out BROKEN, because we did the initial launch in e-book format only back in January, then launched the print version this fall. For the next book in the Extrahumans series, FLY INTO FIRE, we’re launching everything at once–and it’s all happening in late January! I think we may even be having another party.
In other news, I’m hard at work on new projects! Here’s where things stand:
FLY INTO FIRE (EXTRAHUMANS #2): Done, ARCs are shipping out from publisher, launch set for January! I’m sure we’ll be doing pre-orders soon! Want to win a copy? There’s a contest up at Goodreads!
THE SPARK (EXTRAHUMANS #3): I’ve sent this into my editor, and am waiting to hear about it. If all goes well, we may end up releasing this one sometime in late 2012. Stay tuned!
THE DAUGHTER STAR (MARTA GRAYLINE #1): Also sent in to editor. But that’s all I know about it! I’m hoping this one sees the light of day, I think it’s a cool book with lots that readers will like.
THE DEMON GIRL’S SONG: Somehow this title has stuck. I’m at 40,000 words on my first draft of the adventures of Andín dal Rovi and Lynde Shevariat, and I’m shooting to finish the draft by the end of the year. We’ll see.
[NO TITLE YET] EXTRAHUMANS #4: I’ve made a start on this and have some very fun ideas. Haven’t cracked 10,000 words, so I’m still considering it to be in the very early stages.
RED DAUGHTER (MARTA GRAYLINE #2): Planning is sort of done, and about 5,000 words and some opening scenes written.
POLITICAL WRITING: Lots and lots and lots. Here’s the latest run of columns at CT News Junkie.
Also, a short story! Really! Frog F**kery, a Stacy and Jazz Story, is up at 30pov. Sad to say, 30pov has gone on hiatus for a while, and I don’t know if they’re coming back. I’m working on other Stacy and Jazz stories, though, so never you fear! One of them involves some really rotten, mean and insulting eggs.
That’s it for now. Check back in December, I’ll be doing guest posts in at least two places, so I’ll be sure to link to those!